The plot – weak, the music – strong. What Rameau had to experience painfully as early as 1739 with his opera “Dardanus” also troubled Mozart throughout his life. In the concert with Bernard Labadie, a Canadian expert on the music of the 18th century, the imaginative, differentiated music of the French Baroque master Rameau from the era of the Tragédie lyrique meets captivating magic tricks from Mozart’s opera casket. For this, the young French-Danish soprano Elsa Dreisig lends her currently worldwide sought-after voice. Finally, Mozart once again, completely without text, pure orchestral classical music, the Symphony in E-flat major, one of the big three, as ingenious as it is enigmatic, as perpetually young as it is removed from all time.