Staatsoper Unter den Linden
Madama Butterfly
Opera
Unter den Linden 7, 10117 Berlin
Giacomo Puccini

© Gianmarco Bresadola

© Gianmarco Bresadola

© Gianmarco Bresadola

© Gianmarco Bresadola

© Gianmarco Bresadola

© Gianmarco Bresadola

© Gianmarco Bresadola

© Gianmarco Bresadola

© Gianmarco Bresadola

© Gianmarco Bresadola
Description
Lieutenant Pinkerton has fallen in love with the geisha Cio-Cio-San, known as Madama Butterfly, and wants to marry her according to Japanese custom without entering into a permanent relationship. But Butterfly truly loves Pinkerton and has a child by him. For years she waits in vain for the lieutenant to return. When Pinkerton does return, he arrives with his new American wife to pick up the child, and Butterfly stabs herself with a dagger.
Madama Butterfly is based on a novella that is allegedly a true story. When American fleets forced the opening of Japanese ports in around the mid-19th century, Japanese culture started to influence the West, not just vice versa. Soon operas and operettas were set in this new-found country, which, despite its rapid technological progress, promised a very different modernity through the preservation of its own culture. Giacomo Puccini incorporated the exoticism of Japan’s setting and its music far more than through mere colonialist appropriation. He studied sources of Japanese music, integrated original songs into his score and was inspired to write sophisticated instrumentation and distinctive timbres. These combine to make his "Japanese tragedy" one of the most touching operas in history. Eike Gramss’ production deals sensitively with this clash between two cultures in a scintillating Japanese setting.
Madama Butterfly is based on a novella that is allegedly a true story. When American fleets forced the opening of Japanese ports in around the mid-19th century, Japanese culture started to influence the West, not just vice versa. Soon operas and operettas were set in this new-found country, which, despite its rapid technological progress, promised a very different modernity through the preservation of its own culture. Giacomo Puccini incorporated the exoticism of Japan’s setting and its music far more than through mere colonialist appropriation. He studied sources of Japanese music, integrated original songs into his score and was inspired to write sophisticated instrumentation and distinctive timbres. These combine to make his "Japanese tragedy" one of the most touching operas in history. Eike Gramss’ production deals sensitively with this clash between two cultures in a scintillating Japanese setting.
Cast
Tomáš Netopil
Musical Director
Eike Gramss
Director
Staatskapelle Berlin
Staatsopernchor
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Gerard Farreras
UNCLE BONZE
Corinne Winters
Cio-Cio-San
Natalia Skrycka
Suzuki
Sandra Laagus
Kate Pinkerton
Brian Jagde
Benjamin Franklin Pinkerton
Lauri Vasar
Sharpless
Andrés Moreno García
Goro
Irakli Pkhaladze
Yamadori
Hanseong Yun
Commissioner
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Katharina Lang
Revival director, assistant director
Peter Sykora
Set Design, Costumes
Dani Juris
Chorus Master
Dates
Staatsoper Unter den Linden
Unter den Linden 7, 10117 Berlin
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