The Nose

Director Barrie Kosky plunges us into a nightmarish, wildly exaggerated satire, with marching noses, rolling rickshaw tables, and caricatured protagonists in garish costumes that straddle folklore and historicism, all unfolding within a cold, bleak setting that feels claustrophobic despite its size. This surrealist story of the insecure and paranoid upstart Platon Kuzmich Kovalyov is transformed into a absurd, kaleidoscopic revue of the vanities, an unsettling collision of Wozzeck and Alice in Wonderland with its own ‘irrational’ logic.