Staatsballett Berlin at Deutsche Oper
Ek | Ekman
Ballet
Bismarckstraße 35, 10627 Berlin, Deutschland
Mats Ek & Alexander Ekman





Description
A SORT OF…
Choreography by Mats Ek
Music by Henryk M. Górecki
Mats Ek is one of the leading personalities of 20th century choreography. With his radical reinterpretation of the ballet classic GISELLE for the Cullberg Ballet he caused widespread international resonance in 1982 because no one previously had dared to change the original choreographic text and the form of the libretto. In this version, critics and audience recognized the beginning of a new era of theatrical dance. »My choreographies are underlaid with a subtext: when you dance them, you have to connect certain images and feelings with the movement. Without them the movements just appear strange and peculiar. The focus always has to be clear: for a solo, it’s directed to the interior of the person, for several dancers it’s related to the partners«, as Mats Ek himself describes the attitude being necessary to perform his choreographies. With the dancers of the Staatsballett Berlin, he is now working on his piece A SORT OF…, which premiered in 1997 at the Nederlands Dans Theatre. With this programme, he finds his way into the Berlin ballet repertoire for the first time.
CACTI
Choreography by Alexander Ekman
Music by Joseph Haydn, Ludwig van Beethoven and Franz Schubert
In CACTI, Alexander Ekman turns his keen eye upon the scene that birthed him: contemporary dance itself. A gleeful and knowing parody of the art form’s greater excesses, CACTI is an affectionate, pointed, and often hilarious deconstruction of the affectations of dance. 27 dancers stand, seemingly trapped, on oversized Scrabble tiles. While a string quartet plays and spoken recordings give tongue-in-cheek narration of the action, the dancers try to escape their invisible prisons; eventually —and this is the important bit— they each acquire a cactus. But what does it all mean?
Ekman has written: »This work is about how we observe art and how we often feel the need to analyze and ‘understand’ art. I believe that there is no right way and that everyone can interpret and experience art the way they want. Perhaps it’s just a feeling that you can’t explain or perhaps it’s very obvious what the message is.« His work CACTI (2010) has been performed by 20 dance companies worldwide.
Choreography by Mats Ek
Music by Henryk M. Górecki
Mats Ek is one of the leading personalities of 20th century choreography. With his radical reinterpretation of the ballet classic GISELLE for the Cullberg Ballet he caused widespread international resonance in 1982 because no one previously had dared to change the original choreographic text and the form of the libretto. In this version, critics and audience recognized the beginning of a new era of theatrical dance. »My choreographies are underlaid with a subtext: when you dance them, you have to connect certain images and feelings with the movement. Without them the movements just appear strange and peculiar. The focus always has to be clear: for a solo, it’s directed to the interior of the person, for several dancers it’s related to the partners«, as Mats Ek himself describes the attitude being necessary to perform his choreographies. With the dancers of the Staatsballett Berlin, he is now working on his piece A SORT OF…, which premiered in 1997 at the Nederlands Dans Theatre. With this programme, he finds his way into the Berlin ballet repertoire for the first time.
CACTI
Choreography by Alexander Ekman
Music by Joseph Haydn, Ludwig van Beethoven and Franz Schubert
In CACTI, Alexander Ekman turns his keen eye upon the scene that birthed him: contemporary dance itself. A gleeful and knowing parody of the art form’s greater excesses, CACTI is an affectionate, pointed, and often hilarious deconstruction of the affectations of dance. 27 dancers stand, seemingly trapped, on oversized Scrabble tiles. While a string quartet plays and spoken recordings give tongue-in-cheek narration of the action, the dancers try to escape their invisible prisons; eventually —and this is the important bit— they each acquire a cactus. But what does it all mean?
Ekman has written: »This work is about how we observe art and how we often feel the need to analyze and ‘understand’ art. I believe that there is no right way and that everyone can interpret and experience art the way they want. Perhaps it’s just a feeling that you can’t explain or perhaps it’s very obvious what the message is.« His work CACTI (2010) has been performed by 20 dance companies worldwide.
Cast
Mats Ek
Choreography and staging
Henryk M. Górecki
Music
Maria Geber
Stage and costume design
Ellen Ruge
Lighting design
Alexander Ekman | Tom Visser (Umsetzung)
Lighting design
Solist:innen und Corps de ballet des Staatsballetts Berlin
Alexander Ekman
Choreography, stage and costume
Spenser Theberge
Text
Elisabeth Heise-Glaß (1. Violine)
String quartet/Orchestra Deutsche Oper Berlin
Aaron Biebuyck (2. Violine)
String quartet/Orchestra Deutsche Oper Berlin
Maria Dubovik (Bratsche)
String quartet/Orchestra Deutsche Oper Berlin
Arne-Christian Pelz (Cello)
String quartet/Orchestra Deutsche Oper Berlin
Vivian Assal Koohnavard
Dancer
Arshak Ghalumyan
Dancer
Eoin Robinson
Dancer
Tabatha Rumeur
Dancer
Clotilde Tran
Dancer
Johnny McMillan
Dancer
Lewis Turner
Dancer
Mari Kawanishi
Dancer
Weronika Frodyma
Dancer
Filipa Cavaco
Dancer
Yuka Matsumoto
Dancer
Anastasia Kurkova
Dancer
Iana Balova
Dancer
Yuria Isaka
Dancer
Elisa Carrillo Cabrera
Dancer
Julia Golitsina
Dancer
Jenni Schäferhoff
Dancer
Marina Kanno
Dancer
Pauline Voisard
Dancer
Eloise Sacilotto
Dancer
Cameron Hunter
Dancer
Pablo Martínez
Dancer
Gregor Glocke
Dancer
Ross Martinson
Dancer
Dominic Whitbrook
Dancer
Olaf Kollmannsperger
Dancer
Tyler Gurfein
Dancer
Wei Wang
Dancer
Alexander Bird
Dancer
Alexander Abdukarimov
Dancer
Staatsballett Berlin at Deutsche Oper
Bismarckstraße 35, 10627 Berlin, Deutschland
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